Profil użytkownika diego-costa
Out in the Dark (2012)
Instead of looking for depth or verisimilar romance, director Michael Mayer turns his characters into mere cogs in a pseudo-suspenseful thriller.
Przeczytaj recenzję
Fire in the Blood (2012)
It produces a collection of one-dimensional facts strung together with an utmost respect for chronology and documentary-making's most stale conventions.
Przeczytaj recenzję
The Machine Which Makes Everything Disappear (2012)
It ever so subtly zeros in on the extreme particularities of a remote place to find something universal, or at the very least easily comprehensible about despair.
Przeczytaj recenzję
Call Me Kuchu (2011)
The film provides welcome context for the semi-hysteria that recently took over the U.S. media in regard to Uganda's "Kill the Gays" bill.
Przeczytaj recenzję
La Camioneta: The Journey of One American School Bus (2012)
The documentary is committed not to some pseudo-factual documentary tradition, but to a more engaging realist poesis.
Przeczytaj recenzję
He's Way More Famous Than You (2013)
It would have been nice if the film had surrendered to its lunacy more blatantly, more carelessly.
Przeczytaj recenzję
Desperate Acts of Magic (2013)
Tammy Caplan and Joe Tyler Gold's film gives off the alienating feel of an inside joke that you miss in the off chance you're not part of the professional magic business.
Przeczytaj recenzję
Downeast (2012)
An exposé of how the financial structures that make businesses possible in America seem to conspire against genuine good will and non-self-serving ambition.
Przeczytaj recenzję
A Rubberband Is an Unlikely Instrument (2010)
It's as though the director, like his subjects, was too comfortable in the safe familiarity of the surface to find the place where it betrays us.
Przeczytaj recenzję
Let My People Go! (2011)
Without a consistent stylistic playfulness to match the histrionic scenarios, the action often feels just plain silly.
Przeczytaj recenzję